All posts by recgolfer

The Importance of the Finish of Your Golf Swing

What you do as you swing into the ball dictates the position you will be in at the finish of your swing.

To say it another way, to get to a particular finish position, you have to do certain things swinging into it.

When you don’t hit the ball to your liking, you can try correcting the things you do before impact, or you can take a different approach.

Try to finish the swing in a different way. Aim to be in a different position than you normally are when the swing is done. That will automatically force you to do something different beforehand to get there. That might be the only corection you need.

Example. I am a right-to-left golfer, often to a fault. I don’t know what a slice looks like. I am, however, on first-name terms with duck hooks.

Whenever I hit one of those disgusting shots, at the finish my hands are pulled way over to the left and the clubshaft is almost horizontal.

The solution? I aim for a finish that has my hands up high and in front of me, and the shaft is almost vertical. By swinging with getting to that position mind I automatically do different things beforehand to get there and get a straight shot out of it.

If you’re a slicer, maybe you need to end up with your hands more around you than up in front of you–the opposite of my correction.

Try it. It might be just that simple.

The Sound of Impact

For years I have been trying this idea and that to try to find simpler and more reliable ways to swing a golf club.

At the same time, I have been listening, because that’s what I do a lot, and find that my best shots always have the same sound at impact.

Recently I turned that around, the same sound makes the best shots.

Now, I am letting my search for the perfect sound guide how I swing the club. I am getting my best shots much more frequently as a result.

Without going into any detail about how I am doing this, I will say only that it takes a certain amount of hand-eye coordination to pull it off. But not much. Enough to get the results I am looking for, but not so much that it isn’t easy to repeat.

So anyway, that’s just a thought. Strive to have your hits make the same sound and see what you get. (But it has to be the right sound.)

[Note: see also, The Ball Is Your Target]

Three Ways to Read Subtle Breaks in the Green

Sometimes you have a makeable putt that you think must break, but you can’t really tell if it goes left or right. There are three ways you can read the green to find out.

The first way? Back up. Way up. Get about 30 feet from the hole. From that distance, breaks get revealed that would be unnoticeable from right behind the ball, especially when there is no local slope, but the entire green is tilted one way or the other.

Second, when you look at the putt from the side, which you should do routinely to check on uphill or downhill slopes, also look to see if the green is sloping toward you or away from you. A green sloping toward you will of course break in that direction, and vice versa.

The third way is the best one. Stand up behind the ball, take a sidestep to the left, and have a look. Now get back behind the ball, take a sidestep to the right, and look again.

From one side you will see the green looking the same as it does from behind the ball, but from the other side it will seem like you are looking into a slope.

So if you see that slope when you step to the right, for example, you know that the putt will break left to right. If you see the slope when you step to the left, the putt breaks right to left.

This video tip shows you how it works.

A Cure For Being Ball Bound

The golf ball on the ground can make us do things. Stupid things.

Golf is so easy. All you have to do when you swing at the ball is reproduce your practice swing. Easy!

But the ball gives us other ideas. Bad ideas.

Here’s a good idea.

When you take your practice swing, all see below you is turf. That’s all your mind is perceiving.

So, when you swing at the ball, see the ground on each side of the ball and fill in the ground under the ball with your imagination, and swing at all that, just like you did when the ball wasn’t there.

Now you’re back to what was going through your mind during your perfect practice swing, and you can easily reproduce that practice swing and just let everything else take care of itself.

The ball is still there, you can still see it, but you have given your mind the command to see the ground instead.

(There’s only room in your mind for one thought at a time, and that thought needs to be what to do. What not to do, as in don’t think about the ball or something like that, is entirely irrelevant.)

So instead of focusing on the ball, focus on the ground beneath the ball. Easy!

A Few Thoughts on Reading Five Lessons

Probably no golf instruction book has been more widely read, dissected, and discussed than Ben Hogan’s Five Lessons. What he said was the sum of his experience with the golf swing, but it has meaning beyond that when other golfers interact with its advice. These are my thoughts.

Five Lessons was serialized in Sports Illustrated, which my father subscribed to in the time when it was a literary magazine with a definite East Coast influence. There was coverage of polo, sailboat racing, horse racing, and Charles Goren had a bridge column. Ivy League football got covered as well as the national heavyweights.

I devoured the articles, and still have the copy of the book my father gave me in the early 1960s, when I was about twelve years old, much too young to even begin to understand and appreciate what he was talking about.

But I read it anyway, along with Johnny Revolta’s Shortcuts to Better Golf, which I checked out of the library countless times until I got a copy for my birthday in 1965.

As every golf book that has ever been written should have the title, How I Play Golf, which only Tiger Woods has done, such is Five Lessons. The opening chapter on the grip, while being the most thorough discussion if this important fundamental you will ever read, is about how to grip the club like Ben Hogan does. See instead my advice in A Basic Golf Swing.

Much of what Hogan says to do are not really what he does, but what he thinks he is doing because of how it felt to him. You know what we say now, feel is not real.

For example, in the stance, the placement of the feet and the position of the elbows do not match pictures of him in action. But those are small points.

What I want you to appreciate are two things. You have to read the entire book, because one sentence can speak louder than an entire paragraph. Second, and it seems as if I am contradicting myself, do not take any sentence as a stand-alone statement. You can be lead astray.

Take for example his oft-quoted statement, “As far as applying power goes, I wish that I had three right hands!” Yes, but that is not the whole story.

He said that in the context of “the left hand driving all the time,” and “AT IMPACT THE BACK OF THE LEFT HAND FACES TOWARD THE TARGET. THE WRIST BONE IS DEFINITELY RAISED.”

If the left hand is in this position it cannot be overpowered by the right hand, which would turn the clubface over and produce a wicked hook, the bane of Hogan’s existence.

And a few pages earlier, Hogan says quite clearly, regarding the hands, “YOU MUST HIT AS HARD WITH THE LEFT AS WITH THE RIGHT.”

In other words, read the whole book, not just the parts you like.

Hogan’s book is about causes, not about effects, by and large. It seems that he has not even mentioned two of the most important things a golfer has to accomplish at impact: ball first, ground second, and my favorite, the hands led the clubhead.

But if you read carefully, there they both are, within the space of eight lines of text on page 104. “For one thing, it helps you strike the ball absolutely clean, before the club takes turf.” This is followed a few lines later by, “Second, since this slight supination action [of the left hand] places the hands a shade ahead of the clubhead at impact, some loft is subtracted from the face of the club.”

He goes on to say about the latter that this gives you more distance by turning a seven-iron into a five-iron. Actually, Hogan should have stayed with his main point, which is that if you use your hands in such a way that the left hand does not allow itself to be overpowered by the right, the evidence is that the hands lead the clubhead at impact.

To say it backwards, if the hands lead the clubhead at impact, it is not possible that the right hand has overpowered the left, and it is up to the left hand to make sure that does not happen.

What about Hogan’s secret?

In 2009, Jody Vasquez published a book, Afternoons With Mr. Hogan, in which he revealed Hogan’s secret as Hogan revealed it to him. It has to do with how the right knee breaks in the forward swing. Why was that not in Five Lessons? “I’m not telling them this one!” Hogan replied when Vasquez asked him.

But he dropped a hint. On page 92, Hogan says, “The right knee breaks in, definitely, toward the target, boosting the mounting velocity of the swing.” There it is. Hogan’s secret if you can appreciate it, which few if any readers did back then or do now.

These are just a few examples. There are many more. Five Lessons is not an easy book to read if you want to absorb its teachings. But it’s worth the effort.

How To Not Fool Yourself at the Driving Range

Real quick.

If you go to the driving range and an idea comes into your head to try something new and you try it and it starts working so well, ball after ball, that you can’t believe it and you think you have found The Secret To Golf that will solve the game forever, here’s what to do.

Sit down. Watch other people hit the ball. Chill.

After a few minutes, step onto your mat and start doing that same thing again.

If it works, you’re onto something.

If you can’t seem get it to work anymore, though, give it up. You got into a groove, you had some fun, but odds are that trying to recover that magic will make things worse, not better.

The Hands Lead the Clubhead – V

Because I regard the hands leading the clubhead through impact as the #1 technical fundamental, I am constantly looking for ways to make it easier to do. This is my latest attempt. It involves trust.

Very simply put, when I begin my forward swing, I maintain the angle in my wrists so it feels that while my hands are moving forward, the clubhead is staying behind and I trust that it will get there by itself at the right time.

Don’t worry about that angle. It will undo itself just fine and at the right time if you stay out of its way.

That’s it. Move the hands and trust. Take myself, what I’m doing, out of the equation.

I have discovered that when I try to make my hands lead the clubhead in some way, it might work for a while, but then I start thinking about how I am doing it and it all falls apart.

Swing the hands forward and trust. Remove the pressure that arises by trying to make something happen and turn it into trusting that it will happen.

I hope this all makes sense.

The Putter Is a Rescue Club, Too

Have you ever found the ball under a tree and the only way out is to chip under low-hainging branches?

A few weeks ago, I hit a drive off the fairway and right beside a tree with low-hanging branches. I mean a foot off the ground.

I thought I could hit the ball under those branches and back into and down the fairway by taking my 5-wood, playing the ball back to deloft the club, and hitting gently.

Didn’t work. The ball hit a branch and dropped straight down. A chip into the fairway that I now had room for had me hitting four right about here instead of hitting three well down the fairway.

A few days ago, I got into the same dilemma but behind a green. My only shot was toward the hole, because anything sideways would have been going from bad to worse.

I thought, I need even less loft, and the light bulb went on. My putter! With only about 4° of loft, a firm putting stroke would keep the ball low and get it back in the fairway.

So, I took out my putter and hit the shot. I was about twenty yards behind the green, and unfortunately hit it just a bit too hard. The ball got under the branch with room to spare, but ran onto the green like an out of control freight train going downhill.

I won’t say what happened next, but later in the round I had the same problem again! Out comes the putter, and this time don’t hit it so hard. I didn’t. My shot from green-high got under branches and rolled on to the green.

Remember, it’s a firm stroke, somewhat like you might make in hitting a 50-foot put. It is not a whack. If you try it that way, you are likely to mishit the ball and end up somewhere else where you don’t want be.

Now I have a new trouble shot, and so do you.

Ernie, Fred, and Vijay

Let me point you to a video that shows four key swing principles very clearly. It is of Ernie Els, Fred Couples, and Vijay Singh warming up.

You will have to watch it several times to see all of what is there.

What you will see right off is their perfect rhythm and tempo.

Then notice how their arms stay together instead of flying all over the place.

Then notice how their suspension point does not move.

Finally, and it’s hard to see, but it’s there, their hands get back to the ball before the clubhead does.

The one thing it does not show is how they maintain the critical address angle.

If you are hitting the ball well, keep doing it. But if you aren’t, you might consider putting these five things into your swing.

Rocky the Driving Range Dog

This post is somewhat off topic for this blog, but I have to let you see it anyway. The guy who owns the driving range I go to adopted Rocky earlier this summer, and posted this on the Oregon Humane Society Facebook page yesterday. I have known Rocky from the start. I almost cried reading it. It’s a great story. And yes, he does hop around like a bunny.