Committing to Your Golf Shot

Every good golfer will tell you that once you have selected your shot, you have to commit to it for it to come off successfully. You can’t still be deciding or wondering if you’re doing the right thing. People who say that are exactly right, but when we try to put that thought into practice it isn’t that easy. Why not? Perhaps it’s because we don’t understand what commitment really is.


When we go through a conscious process of judging the course and matching what we see with the shots we know we can hit, or want to hit, the result is never something that we can truly believe in. There is always lingering doubt as to whether we can pull the shot off, or whether we have evaluated the situation correctly in the first place. Sometimes that bit of doubt is too small to see, other times it it is so large we can hardly move the club.

There is no way that we can commit to a shot if there is a possibility, no matter how slight, that it is the wrong shot or that we aren’t good enough to hit it. We have to make a change somewhere.

Commitment is not an agreement you make, or a promise or a pledge to do the right thing. Nor does it imply an obligation to do something in a moral or a legal sense, as the word is commonly used. The commitment I am talking about is a feeling which exists in your mind and infuses itself into your body that what you are about to do is correct. You have a deep subconscious knowing that transcends success and failure. The knowing in your mind and the knowing in your body are the same. The only thing left is to perform. See shot, hit shot.

I know you have had that feeling on the course before, and if you would just take a few moments to reflect, you would be able to remember an occasion or two when you felt that way about a shot. I would be willing to say that the shot came off quite nicely, too. The question is, then, how do you get to that state at will? How do you make it more than something you enjoy once or twice a year?

As you stand over the ball, turn off the part of your mind that tries to evaluate the course in front of you based on everything you know from the past. That knowledge is in there and it doesn’t need to be cued. Just calm your mind look. Don’t go looking for something. Let the course come to you. In a few seconds you will clearly “see” that you should “hit this shot over there.”

That’s about as clear as words can describe it, and if you have to be specific yourself about what that meant, you probably couldn’t, but that’s all right. You don’t have to be able to express something in words to know it. In fact, that knowing is probably superior in most cases to what you can articulate.

A year ago I was about 80 yards from the green on a par 5, on the right side of the fairway just about ten feet above the green. The pin was on the back tier. Pitching the ball to that tier would have been risky, because over the green is a severe downhill slope. A pitch to the front of the green would not allow the ball to run to the hole because of the elevation difference.

So I just kept looking. The ground to the left of the green sloped away, too, so I looked right. I kept looking right and because I didn’t see a shot, I kept looking more right. More right and more right, and suddenly it all made sense. I could punch an 8-iron over to the mounds on the right and let the ball roll down them onto the back tier so the ball would approach the pin from dead right. I know how hard to hit the ball and just where to aim the shot. In less time than it takes to say so, I pulled out the 8-iron, lined myself up to what I “saw,” and hit the ball. It rolled exactly as I knew it would, off the mounds to ten feet from the hole.

I would like to end the story be saying that I sank the putt, but I didn’t. Seeing clearly doesn’t guarantee perfection. But the 8-iron I hit I was committed to as I described above. It’s a good way to play golf by using a mental skill I practice with every ball I hit in play and on the range. It’s as much a part of your setup as anything else you do to get ready.

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Know the Rules: Loose Impediments

Recall that artificial objects which interfere with play are obstructions. Natural objects that interfere are called loose impediments. Since golf is meant to be played in Nature as we find it, the rules for loose impediments are much different than for obstructions.

Loose impediments include stones, leaves, twigs, branches, and such. Goose poop is a loose impediment, as is any other animal waste matter. (The Rule book more politely calls it dung.) Worm casts are loose impediments. I’m not sure what that is. Maybe it’s because we don’t have them where I live. We do have goose . . ., oh, never mind.

There is a however regarding loose impediments. A big however. A loose impediment cannot be something fixed or growing (a weed), solidly embedded, or adhering to the ball (mud, goose poop). Then it wouldn’t be loose, would it? I played with a guy who hit his ball next to the green and it came to rest a few inches away from a thick-stemmed thistle. The thistle was in the way of his backswing. He proceeded to stomp the thistle and beat it into oblivion with his sand wedge, which he then used to chip on onto the green and sink the putt for his par. Or so he called it.


Loose impediments may be removed without penalty, except if the impediment and the ball are both in the same hazard. When your ball is near a pine cone, you may remove the pine cone, but if they are both in a bunker, the pine cone stays put.

If you cause the ball to move when removing a loose impediment, except when the ball is on the putting green, there is a one-stroke penalty and you must replace the ball. For example, your ball is lying against a twig. If you think the ball might move when you remove the twig, leave the twig alone.

When the ball is in motion, a loose impediment that might influence the movement of the ball may not be removed. Camilo Villegas was disqualified from a tournament in 2011 when he chipped up a hill. The ball rolled back down, and Villegas swatted away a loose divot lying in the hill in the way of the ball. The penalty would be two strokes, but because he signed his scorecard without taking the penalty, he got the DQ.

All this is Rule 23.

Loose impediments can be tricky. Loose sand and soil are loose impediments on the putting green, but nowhere else. Rory McIlroy got caught earlier this year brushing away loose sand that was in the way of his shot, but not on the putting green. Two strokes, courtesy of his playing partner, Luke Donald.

Loose impediments can also be quite funny. Here, from the Decisions, are examples of loose impediments: half-eaten pear (though no pear tree is in sight), banana peel, ant hill, dead land crab, snake (but only a dead one. A live snake is an outside agency.), a fallen tree, but only if it is detached from its stump.

An insect on your ball is a loose impediment and may be removed, but be careful not to move the ball if it does not lie on the putting green. If the ball is in a bunker, the insect may be removed only as long as it (the insect) is not touched.

If you are about to take a drop, you may remove loose impediments before you drop the ball.

My new book, The Golfing Self, is now available at www.therecreationalgolfer.com. It will change everything about the way you play.

When the Golf Ball Just Can’t Go Right – or Left

There are holes where a miss to either side is playable and all you have to do is put your normal swing on the ball. Wherever it goes is all right with you. There are times, though, when there is one side of the course to where the ball just cannot go to.

For example, I play a course on which the 2nd tee is hard against the right side, which is also out of bounds. You just have to get the ball to the left side of the fairway, and hitting the ball with even the smallest fade is disastrous. Fortunately, taking one side out of the shot with certainty is easy to do.

When the clubhead approaches impact, it is open to the target line, but closing. It is square at impact (hopefully), and continues closing after impact. That is what we will work with to solve both problems.

When the ball can’t go right, we have to make sure that the clubface does not get left open when it hits the ball. The way to do that is to be turning your right palm down as you hit the ball. This accelerates the closing of the clubface, which puts a draw spin on the ball. You might get a hook, but the ball will not go right. Be careful, because turning your right hand down too much, too soon, will smother the shot.

If you have to keep the ball away from the left side of the fairway, you’ll do the opposite thing with your right palm. Delay its turning downward as you bring the clubhead through the ball. That delays the closing of the clubface, which puts a fade spin on the ball. As before, you might get more sidespin than you want, but the ball will not go left.

I would caution you to save these techniques for times when they are absolutely necessary, when there is trouble on one side and playability on the other. They should not be used as the favored way to curve the ball, because it’s hard to be precise with these techniques without a lot of practice. All they’re meant to do is guarantee that the ball will not go in one direction or the other.

Work out these two moves at the range so you have them under control and get manageable sidespin. The guarantee is void if you try one for the first time on the course when you’re under the gun.

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2012 U.S. Open Preview

Winner: Webb Simpson by one stroke over Graeme McDowell and Michael Thompson

For the fifth time, the U.S. Open will be played at the Lake Course of the Olympic Club in San Francisco, but it will be a much different course than before. A devastating disease that stuck eight years go killed hundreds of Monterrey pines that lined the fairways. While that opens up the fairways, it might make things harder, not easier, because that will let in the nearby ocean wind.

  Eighth green

You might not know that Olympic was founded as an athletic club, not as a golf club. Olympic trained, well, naturally, Olympic athletes, who won medals in the early part of the 20th century. In that era as well, Olympic fielded its own football team, which played, and occasionally beat, California and Stanford. Golf came into the picture in 1918, with the Lake Course being built in 1924. As much as I enjoy the Open just for what it is, I enjoy it even more when the course is nice to look at. I can’t think of one that is prettier in itself and in the views of its surroundings than this one.


This week’s course is listed at 7,170 yards, quite short for a major championship. Because position is so important off the tee, and the fairways will be hard to hit, drivers will be the club of choice on less than half the time. This is starting to cause some controversy.

Traditionally, the U.S. Open has been the one tournament that requires the winner to play well with every club in the bag. When the driver is removed, when the Open becomes a lay-up tournament, its reputation a golf’s toughest test gets tarnished. The problem is, of course, continuing to play the tournament on yesterday’s Open courses that are just not big enough for today’s game. I would not be surprised if anyone leaves their driver at home when the Open is played at Merion next year.

It’s time to let history go and build new courses which present the challenge of an Open and which fit today’s players. It pains me to say that, too, because I grew up revering these old courses. But it’s time to move on. End of editorial.

The greens at Olympic are small, averaging 4,100 square feet in area. That’s 72 feet in diameter. Once the ball is on, it will be close to the hole. Good putters will have little advantage over good ball-strikers. Getting the ball on the green in regulation will be the challenge.

Olympic hits hard early in the round. Holes 2-5 were labeled “Quake Corner” in the 1966 Open. Holes 1 and 6 have been toughened up, so it will not be unusual for a player to step onto the seventh tee at +2 or +3. Part of the problem these holes present is the reverse camber of the fairway. #2 curves to the right, but the fairway slopes left. Number 4 does the opposite. Playing for the green on the par-3 3rd is risky. Better to play short and have the ball run on.

Number 16 is the longest hole in major championship competition, a 670-yard par-5 that curves left from the very start, all the way to the green. It is a legitimate three-shotter, but will played shorter one or two days for players to take a chance at reaching in two.

Of no real consequence, but unusual, is that players will tee off on #1 and #9 on Thursday and Friday, because of logistical problems in involved in shuttling players to the tenth tee.

Here’s Ken Venturi’s hole-by-hole tour of the course.

The USGA is having its typical fun with the pairings for the first two rounds:
The Roberts: Robert Karlsson, Bob Estes, Robert Rock
The Hyphens: Gonzalo Fernandez-Castano, Sang-Moon Bae, Rafael Cabrera-Bello
The Initials: K. J. Choi, Y. E. Yang, K. T. Kim
The C(h)arls: Carl Pettersson, Charl Schwartzel, Charles Howell III
The Belly Putters: Adam Scott, Keegan Bradley, Webb Simpson
The PGAs: Davis Love III, Padraig Harrington, David Toms
One Major and Disappeared: Stewart Cink, Trevor Immelman, Lucas Glover
Former Champions: Ernie Els, Geoff Ogilvy, Angel Cabrera
How Did These Guys Qualify?: Joe Ogilvie, Stephen Ames, Tim Herron

Who will win? This is a shot-maker’s course. That brings Hunter Mahan to mind. Luke Donald? You might think a course requiring precision down the fairway and deft around the greens would be his cup of tea, but he has yet to step up on a big stage. Matt Kuchar? Has the game, has the mind. Dustin Johnson won yesterday, and he’s familiar with the lead in a major.

Tiger Woods? You have to hit fairways, and Woods is hitting lots of them now, but you also have to play well into and around the greens, which he hasn’t been doing this year. Don’t let his two wins fool you. Woods built up his PGA record by winning frequently on a few courses. This year he won at Bay Hill for the seventh time and at the Memorial for the fifth time. Those are essentially home games for him. So far, playing on the road has been disappointing.

I know that all the pros want to win the Masters, because champions get treated like a god for the rest of their life. I suspect, though, that that if you asked, the one they would be proudest of winning is this one. For me, the golf season leads up to this championship, and the remainder of the season is an afterthought.

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Know the Rules: Unplayable Lies

At some point you will hit your ball into a place where you don’t have a shot. Trying to put the club on the ball just isn’t possible or would be a very bad idea. In this case, you can declare an unplayable lie and get relief, but under the penalty of one stroke. The options are pretty simple, and there are three.

You can:
a. hit another shot from the spot where the ball you just hit was played, or
b. take a drop within two club-lengths of where the ball lies, but not nearer to the hole, or
c. take a drop on the line connecting the hole and where the ball lies, extended as far backwards from the where the ball lies as you wish.

Again, all these relief options come with a penalty of one stroke.


If you declare an unplayable lie in a bunker, relief under b. and c. must be taken in the bunker.

You may declare your ball to be unplayable anywhere on the course except when it is in a water hazard.

You may clean your ball before dropping it, or substitute another ball.

The player is the sole judge of whether the ball is unplayable.

That’s about it on unplayable lies. This Rule 28.

I used this rule once to help myself out. I hit the ball off the tee of a par-3 hole to the left of the green on a bank of grass with a deep bunker between the ball and the green. I chunked my second shot into the bunker, against a deep vertical face. Instead of trying to take a stroke or two to get out of the bunker, I declared an unplayable lie, took relief under option a. on the bank of grass (where I hit the shot originally), and chipped in for a bogey.

Let me recommend that if your ball comes to rest against an exposed tree root, that you declare an unplayable lie and take relief. Hitting a tree root with your full swing is a good way to sprain your wrist or worse.

Deep Rules: If a ball is declared unplayable and when dropped rolls into a lie that is also unplayable, the player may invoke the unplayable lie rule again.

It is not necessary to find a ball for it to be declared unplayable. In this case, the player may take relief under option a. Relief under options b. and c. may not be taken unless the ball is found.

The procedures involving the combination of wrong balls and unplayable lies are so involved, I don’t think you want me to explain it. Just avoid the whole affair by putting a mark on your ball and making sure the ball you find is really yours.

My new book, The Golfing Self, is now available at www.therecreationalgolfer.com. It will change everything about the way you play.

Casting: Golf’s Killer Fault is Easy to Fix

While swing changes should be a matter between yourself and your pro, there is one change I am going to recommend to you. It is very likely one that you need to make. Stop casting.
Casting is releasing your wrist set just after you start the club back down from the top of your backswing. This is too early. If you do that, you’re giving up clubhead speed and accuracy for no reason. By correcting this common error, the difference in the way you hit the ball will be jaw-dropping.

You don’t think you cast? Let’s find out. Swing up to the top of your backswing and look over your right shoulder at the angle made by your left forearm and the club shaft. Set up again, swing the club up and then back down, stopping when your hands get hip high. Look again at the angle your left forearm and the club shaft make. Is it the same angle? If the angle has changed and the forearm and shaft make a straighter line than before, you’re casting. It’s time to get that out of your swing.


To see why, look at the two pictures. In Figure 1, the player still has his full wrist set as his hands enter the impact zone. Notice that the hands are in the same place in both pictures, but when the wrist set is maintained, the clubhead has to go over twice as far, in the same amount of time, to get to the ball. This generates extra clubhead speed with no extra effort.

Figure 1

In Figure 2, the player is casting. As the club enters the impact zone, there isn’t much of his wrist set left. His power was used up long ago and the accuracy of the strike is in question, too.

Figure 2

Casting is one thing that pros don’t do. They retain their wrist set for as long as they can. A better way to put it would be that they don’t let that angle go until the momentum of their swing naturally releases it. That’s what the release is. It’s the speed of the swing building up to the point where the wrists can no longer hold their set. They let go of the angle and the club lashes into the ball.

To learn how to hold on to the set, swing up to the top at your usual speed, and swing back down now very slowly until your hands are hip high. Concentrate on maintaining that angle between your left forearm and the club shaft. Don’t let it change one bit. Slowly swing from there back up to the top again and back down to hip level. Do this over and over so the feeling starts to take hold in your subconscious mind that your wrists don’t move. They just go for the ride. All the while, your hand, wrists, and forearms must remain relaxed so the wrists can release when it is time for them to.

After three tries at this, on the fourth try let your swing go all the way through the ball, letting your wrists release when they swing past hip level. (See also Your Wrists at Impact)

The wrong way to stop casting is to try for a “late hit” and hold onto the angle for dear life for as long as you can. What frequently happens is that the wrist set is held for too long. The clubface is still open as it reaches the ball, resulting in a tremendous slice.

There is no such thing as a late hit. Get that phrase out of your mind. Casting makes you hit early. A relaxed swing with a maintained wrist set delivers the hit on time.

While you’re practicing this, don’t get caught up in what the angle of your wrist set is. Ninety degrees would be nice, and some touring professionals have even a smaller angle. If you can’t get to ninety degrees, that’s OK. Don’t force yourself to go beyond that your flexibility allows you to do. This is a professional move, but it must be based on your physical capabilities.

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A Strategy For Reading Greens

Much of green-reading is based on the experience you have had, remembering what greens looked like they would do and what they actually did. When you read a putt, you reach into the bank of putts you remembered and pick out the one that looks the most like this one, weigh the two, and come up with a solution. That’s really what green-reading is. This post is about how to organize your reading so you can store your memories in a way that makes them easily and accurately retrieved.


When you walk up to a green, maybe from 100 yards out, notice if the table of land that it rests on is sloped in any way. You might not be able to see it from the angle you have, but it’s there. That slope will tend to pull putts in that direction.

When you get on the green, find the high point and the low point. Forget about where your ball is for the moment. Just look at the green in general. Most of the time this slope will conform to the slope of the land you looked at coming up the fairway.

These first two looks show you slope that must be taken into account. Your putt might break a different way, but if you’re going to ignore the overall slope of the putting surface, you have to know what it is first and have a good reason for ignoring it.

Now look at your putt from the low side, to see changes in elevation that would cause you to hit the ball harder or softer to get the ball over the distance to the hole. The farther from the hole the ball is, the more important speed is, and the more important it is that you take this look. Try to do it when someone else is lining up their putt so you save time when it’s your turn.

Look at the putt from behind the ball unless you are putting up or down a slope. In that case, look at the putt from the downhill side looking uphill. Contours are easier to see. Look first for the general shape of the putt—if you were to hit the ball straight at the hole, would it go in, or end up to the right or to the left?

If the ground gives you two breaks, say right to left at the start, the left to right at the end, account for both, but give the latest break more allowance, since the ball will be traveling slower and be more affected by the slope of the ground.

It is not entirely necessary to look at green contours from close to the ground. You can see all you need to from a standing position, maybe bending over a bit to look from a height of four to five feet.

Reading longer putts from behind the ball does not let you see contours around the hole clearly, and that is where you need to pay the most attention. Walk up to about ten feet from the hole and straddle the line of your putt so you can get a good look at slopes near the hole. Don’t guess from way back there.

You should have a good feel for how hard you want to hit the putt. Put that information together with what you see on the ground to pick a starting line for the putt. Do that with this next bit in mind, probably the most important thing I will say today. Beyond a certain distance, you’re not realistically trying to sink the putt. You know that if you did it would be good fortune rather than your skill that got the ball in the hole. Your skill, however, is what gets the ball close and gives it a chance to go in. Your goal then is to see how to send the ball across the green to place where good fortune can take over. That’s how you leave yourself tap-ins, and that’s how those twenty- and thirty-footers go in every now and then.

Organize your green reading this way, going from the general to the specific, step by step. That pulls out one recognition at a time and lets you build our read logically without guesswork.

Remember that you will never read greens perfectly. Did you ever see a pro on TV let a putt slide by the hole a hair on the right and have an expression of complete disbelief? Have you ever heard the announcers on TV say, “This putt goes left, doesn’t it Roger?” “It does Johnny, but it looks like it goes right, and no one so far today has figured out that it doesn’t go that way.” All you can do is read the green based on what you know, and if you get it wrong, file away the correction for next time.

See also Vector Putting

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Know the Rules: Lost Ball and Out of Bounds

In friendly games, if the ball sails OB or looks like it could be lost, most players will drop another one right there and play on as if nothing had happened. Or, they go to where they think the ball went, can’t find it, then drop another and play on as if nothing had happened. Let’s get this right.

If you think you hit the ball out of bounds or that it might be lost, this is what you do. Inform your playing companions that you will play a provisional ball, using just those words. Saying, “I’m going to tee up another one,” or “Let’s try that again,” or the like doesn’t count. You must also play the provisional ball before you go looking for the original ball.


So now you’ve hit the provisional ball and all is well with it. What you would do next is look for the original ball. If you find it and it is not out of bounds, then it is the ball in play and you must pick up the provisional ball. If the original ball is found out of bounds, or you cannot find the ball after having searched for five minutes, the provisional ball is in play. You do not have to look for your ball, but if it is found by anyone before you make a stoke with the provisional ball, the original ball is in play.

You may play the provisional ball without obligation until it reaches or passes the point where the original ball is likely to be. If you make a stroke with the provisional ball with it lying at or nearer to the hole than that point, the provisional ball is in play and the original ball is lost.

The penalty for a ball lost or out of bounds is stroke and distance. Say you hit your tee shot out of bounds. That’s one stroke, the penalty stroke is two, and hitting the provisional is three. When you get to the provisional ball, you will be hitting your fourth shot with it.

This is Rule 27.

Out of bounds is generally marked by white stakes.

Tip: when you play a provisional ball, make sure it is one you can distinguish from the original ball. If the provisional ball ends up near the original ball and you cannot tell them apart, then both balls are lost and you have to go back to the original spot and hit again, under a second stroke-and-distance penalty.

Deep Rules: A player may, at any time, play another ball from where the original ball was last played under a penalty of one stroke. That ball is not provisional, but is the ball now in play.

If the ball is lost in an immovable obstruction, in an abnormal ground condition, or has been moved by an outside agency, the player must proceed under the rules governing those cases.

If you think your ball might be out of bounds or lost, but might also have came to rest in a water hazard, you may play a provisional ball. If you find the ball in the water hazard, you must abandon the provisional ball.

The friendly game scenario where a player drops a ball where the ball was lost or OB and plays from there? The player must go back and play properly under stroke and distance and take an additional two-stroke penalty for breaking the rule.

My new book, The Golfing Self, is now available at www.therecreationalgolfer.com. It will change everything about the way you play.

Getting Arnold Palmer’s Autograph

I mentioned in an earlier post that I started playing golf when I was 10. That September, my Dad asked me if I wanted to see a golf tournament – see the professionals play. I said, “Sure,” so we went to the 1960 Portland Open Invitational at the Portland (Oregon) Golf Club.

When we got there, we went straight to the range to watch the players warming up. There were caddies downrange, one for each golfer, because they had to provide their own balls back then and the caddies were out there picking them up. I was worried the caddies would get hit, but their player hit shot after shot right to them. Unbelievable.

The third tee was right next to the range, so we started following some group, I forget who was in it, and on the next hole, the second hole of tournament golf that I had ever seen, one of the guys made a hole-in-one. No kidding. What fun!


Arnold Palmer was there. He had won the Masters the year before, but was a year away from becoming ARNOLD PALMER. I knew who he was, though, and on the eighteenth hole I walked into the fairway at Pop’s urging to get his autograph as he walked from the tee to his next shot.

There were no gallery ropes in those days; you just stayed a respectful distance away when the players were hitting and then followed them down the fairway.

He was walking to his tee ball and I went up to him and asked him for his autograph. He asked me kindly to wait until he was finished playing and he would sign for me. So I went up to the green and stood a good distance away to not get lost in the crowd. I waited, and waited.

I heard some commotion from the gallery around the green, so I guess something had happened. Some applause, and everything was quiet again. Not a few moments after that, here comes Arnold Palmer, alone, walking straight for me. He had said he would sign for me, he found me, and he signed.

You can’t imagine how happy I was to get his autograph, and it took me until I had grown up to realize what he had done. He had kept his promise and he had to find me to keep it. Instead of thinking that I had left, he went looking. That’s why he’s The King. You bet I still have that autograph.

Oh, yes. Palmer shot 270 to finish in fourth place, four strokes behind winner Billy Casper, Jr. Palmer won $1,150 and Casper’s first-place check was worth $2,800.

The capital “A” is 1-3/4″ high.

See also My Natalie Gulbis Story

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The Golf Swing Move That Changes Everything

[July 15, 2019: This is the blog’s most-read post. It has almost twice as many views as the second-ranked post. It should. It is the first mention on the blog of the most important fundamental of the golf swing, your hands lead the clubhead at impact, that for a reason I cannot figure out is rarely mentioned in golf instruction books. But every good golfer does it, and no bad golfer does it. Period.

[How to get this right is not addressed fully here, but it is in posts that followed. In the intervening seven years, I have tried many methods of getting this right. The easiest way I know of is to feel the butt end of the club moving leftward from the beginning of the forward swing to beyond the point when the ball is struck. This method is fully explained in the recent post, Your Hands Lead the Clubhead- IV]

My son is learning how to play golf. He didn’t start until he was about 30 years old.  He is fairly athletic and hits the ball a long way, but neither he nor I have any idea of where it’s going to end up much of the time.  

The reason for that, and the one thing that he is struggling to learn, involves his right (trailing) wrist.  This post is not about him, though.  It’s about over half the recreational golfers I play with who do the same thing he does.  They flip that wrist.

In an earlier post, I talked about pronation and supination.  This is one of my most-read posts, because it is something that Ben Hogan went into at length in his book, Five Lessons.  

The Hogan mystique makes many amateurs think this is the magic move that if they get figured out, will change everything.  For once, they’re right.

In practical terms it all means a backward bend in the trailing wrist MUST BE MAINTAINED through impact.  

That wrist, right wrist for right-handed golfers, left wrist for lefties, must not be straightened out, and certainly not be bent forward (flip), until after the ball is struck. (see photo, above)

This is a golf swing imperative. You cannot play good golf if you don’t do this.

How do you get it right?  Search the blog on “hands leading the clubhead”.

See this video, or this one.

If your ball flight is a guessing game, chances are that flipping is your number one problem.  

I even see guys flip when they putt and they can’t putt worth a lick.  

Put this move into your golf swing and you will be a different golfer.  Golf will become a different game.  I absolutely guarantee it.

Little Differences That Make a Big Difference in How Well You Play