More on Grip Pressure

Two weeks ago I talked about the importance of having light grip pressure. I wanted to put up graphs comparing the grip pressure of a professional golfer with that of a mid-handicapper, but I couldn’t find them in time for publication.

Well, while prowling around the house a few days ago, looking for something else, I found the book that has the graphs.

So here they are.

The graphs are taken from a paper titled, Evaluation of Golf Club Control by Grip Pressure Measurement, by D.R. Budney and D.G. Bellow, reprinted in Science and Golf, A.J. Cochran, Ed., 1990.

Golfers swung a club with three transducers built into the grip to measure left hand pressure, right hand pressure, and pressure under the left thumb.

The first graph shows the grip pressure throughout the swing of a professional golfer. Notice that in the early stages of the swing, pressure at all places is quite light.

Pressure rose during the backswing in the left hand and thumb, and peaked in the right hand and left thumb during the downswing. Notice the drop in pressure in those two spots at impact.

Left hand pressure reached its peak just after impact.

professional grip pressure graph

The next graph is of an 11-handicap golfer. Pressure is greater from the very start. The patterns of peaks and drops occur at roughly the same places as for the professional golfer, but there is much more pressure at every point.

The amateur golfer is holding the club much tighter.

amateur grip pressure graph

These graphs show that no matter what the grip pressure is at the start, it will tighten during the swing as the club moves faster and faster.

Keeping the pressure light at the start will minimize peak pressure, keeping as much tension as possible out of the hands and arms, leading to a more fluid and controlled golf swing.

Slow-Motion Golf Swings

Golf is a game of constant maintenance and correction. Once something works, we want to find a way to keep it working. We also know that eventually we will ease out of our groove, and we have to find the way back in.

One very good way to do both of those things is with slow-motion golf swings. The golf swing happens so fast, and out of our sight, that it’s not really possible to know exactly what’s going on. By slowing down, we can feel clearly what we are doing right and what we are doing wrong.

And that’s the whole point—to feel what is going on. We can’t see what we are doing, but we can feel it.

The feels we are looking for are the ones that bring the club back square and on plane, and return the clubhead to the ball with the desired impact geometry.

The best way to teach your unconscious mind* what those feels are is to practice swinging slowly. How slowly? Try taking 15 seconds to go from takeaway to finish. That slowly.

No only does the slow-motion swing let you to verify what you are doing right, if anything gets out of whack, you can sense it right away.

If you need to make a correction, the slow swing allows you to carefully monitor what is going on at all times, so you know your correction is right.

Maybe you’re working on a slight swing change. Practice it in slow motion first, to make sure you’re doing it the way you want to, and you’re not still doing what you’re trying to get away from.

The first time I heard about this trick was on a Golf Channel Playing Lessons With the Pros episode featuring Brad Faxon. He said he, and other touring pros, did this all the time at the range, for the very purposes I described above.

Now that it’s rainy weather and you don’t get to play much, and it gets dark early so going to the range after work isn’t really an option, try working on slow swings at home. Get a lesson and spend the winter getting everything in your swing lined up right.
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*Most people use the term “subconscious mind”, but my psychologist friends say “unconscious mind” is correct.

A Note on Grip Pressure

After you get a general idea of how to swing a golf club, it becomes a matter of paying attention to the little things, that fine tuning which makes all the difference in the world.

One of the little things is grip pressure, which means having a light grip pressure.

In Jim Flick’s book, On Golf, he says in his section on grip pressure, “I cannot emphasize enough the importance of secure but light grip pressure. If you gain nothing else from this book, I hope you come away with respect and appreciation for correct grip pressure.”

The night before Greg Norman was to win his first British Open title, Jack Nicklaus, who was not in contention, advised Norman to keep an eye on his grip pressure the next day, since it can tighten up under the stress of competition. That’s all Nicklaus mentioned, because he knew that was the only thing he needed to say.

How light should your grip pressure be? It can be too light. Then the club would move around inside your hands during the swing. A slightly off-center hit could twist the clubface, costing you distance and direction.

Sam Snead’s advice to hold the club like a little bird isn’t good advice. I’ve held a wild sparrow in my hands, and that’s way too light for swinging a golf club.

The key is how firmly you hold the club at the start.

Sole a club, say a 6-iron, and take your grip with just enough pressure to pick up the club without it drooping in your hands.

The grip should feel like it presses gently into the pads on the inside of your fingers and palms.

Your hands will tighten a bit as you swing, but swing and practice just keeping them from tightening too much. This is a feel thing. When you practice, err on the side of too light a grip.

It’s easier to know you have to tighten up a bit more than to know you have to loosen it up a bit.

Also to be attended to is the condition of your grips. If they are worn smooth, or are dirty, they will slide around in your hands, causing you to hold on too tightly just to prevent that. Make sure they have a tacky feel.

Here’s the difference grip pressure makes for me.

When I hold the club too tightly, my right wrist gets tense and unable to move. That gets my hand jammed up against it, and the clubface closes on the backswing. The result is a hook with my irons, and a duck hook with my driver.

When my grip pressure is light, my wrist can bend the way it is supposed to on the way back, keeping the clubface square. The result is very straight ball flight.

If you lighten up your grip pressure, that little thing can have the affect of opening up your swing, and better shot-making.

How I Putt (II)

A few weeks ago I went over my putting setup and stroke in detail. It’s one thing to putt on your carpet at home. It’s quite another to putt on live greens. This post is about how I get the ball in the hole.

For makable putts, of eight feetish or under, I am definitely challenging the hole. Putts around 15 feet and longer I am just trying to get the ball near the hole so luck can take over.

For the in-between distances, it depend on how I’m feeing that day. With a twelve-foot putt I might be go for it one day, or just try to get it close on another.

In any case, I use a spot putting system. When I line up my putt I will pick out a spot on the green about two inches in front of the ball. Dave Stockton likes one inch, but that’s too close for me.

When I putt, all I’m concerned about is making that two-inch putt. Then, with the right pace and a good read the ball will go in the hole.

I find if I don’t spot putt, but think all the way to the hole, I end up trying to steer the ball in, and that seldom works.

As for pace, you learn that only by practicing. I practice pace a lot, with 20- to 40-foot putts, because that is the way to avoid three-putt greens. I like to the ball to end up within five percent of the total distance.

The same goes for green-reading. You can only learn that from practice. So practice!

Good putting is as much in your mind as in all the technical matters. The one thought I have heard good putters talk about and which really works is this: as you are about to make your stroke, you cannot care whether the ball goes in the hole or not.

Get prepared for the putt, and think only about making that two-inch putt. As for the actual putt, you will either make it or miss it, and some of the difference is up to the putting surface, which you have no control over. You can hit the perfect putt and it might not go in.

So do all that, and apply the mechanics you learned in your back room, and practice(!), and you’ll be a much better putter.

And what do I mean by practice? Spend as many minutes on the putting green as you do on the range hitting balls.

Your Stance

Have you ever stood over the ball just knowing that this shot is going to be one of your best? And when you make your swing that’s exactly what happens?

Now remember the times when you stood over the ball and you started worrying about where the ball was going to go because you KNEW there was something wrong. Or whether you would be able to make good contact and you didn’t.

Ken Venturi said many times that good players do not get out of swing. They get out of position. You put them back in position and their swing comes back.

That’s what your stance does for you. It gets you in position to make your best swing.

I would imagine you never practice your stance. If that’s true, then please start getting into the habit.

You can do this inside your house. Drop a ball on the carpet and address it with your 5-iron. How do you feel? Do you have that feeling of great confidence, or is it just you standing up to the ball?

Break your stance, take a few steps away, then approach the ball and set up again. How about now?

What you’re watching out for are minute changes in your grip, in your posture, in ball position, and anything else that makes one stance feel different from another.

What you’re practicing is perhaps the most important thing you can practice. Your swing emerges from your stance. Your stance leads into your swing. Good golf is played by making your best swing more often, and that means taking your best stance more often.

When you’re in position, you don’t need swing thoughts, and you don’t need to think about whether this will be a good shot or not. Your mind gets filled with the quiet confidence that all you have to do is get the club in motion and everything will be all right.

Believe me, when I’m at the range and I’m in position, I KNOW that my best shot is coming up next. My bad shots? They didn’t happen because my swing changed. They came because I took my stance for granted and couldn’t swing the way I wanted to.

Of course you want to practice your swing, but spend time practicing your stance, too. It will really pay off.

How I Putt (I)

[NOTE: I don’t do much of this any more. I’m keeping the post on the blog for historical interest.]

A few weeks ago I mentioned that I was practicing a lot for short putts and am getting REAL good at them. I’ve been putting in my back room since the middle of August, several times a day, and have refined my technique fairly well. The description that follows might get you thinking in detail about how you make your putting stroke.

First of all, I use my forefinger interlocking grip. This grip prevents one hand other other from dominating the stroke. Both hands work as one unit. My grip pressure is very light — just enough to keep the putter from flopping around in my hands.

The ball is about two inches inside my left heel. I don’t pay much attention to where my feet go, but they almost always end up perpendicular to the target line, with the right foot more forward than the left by a inch or two.

Because I haven’t found the placement of the feet to be important, I place them before I aim the putter. I don’t want to aim the putter and then have the aim altered when my feet move.

I aim by placing the putter in front of the ball and aligning the face using a mark I drew on the topline of the putter that marks the sweet spot.

I make sure the putter shaft and my forearms make a straight line when viewed from down the line. This causes me to arch my wrists upwards a bit. The effect is to make it easier to take the putter straight back and through. When your wrists are lower, you take the putter back and through in an arc, which is a less accurate stroke in my opinion.

Once I’m aimed, I put the putter behind the ball and make my stroke right away.

The takeaway is slow. That way I keep the putter swinging on line. I know that face angle is more important than swing path, but swing path still counts for something. By keeping the putter on the right path, I ensure all the more that the putter face stays square.

I also imagine that it is the sole of the putter that is being taken away from the ball. This make the takeaway smoother, preventing me from jerking the putter back.

The stroke is fairly short, straight back and straight through. If you hit the sweet spot, you don’t need a long backswing to get the ball to the hole.

I do what Gary Player wants us all to do — keep your head down and not lift it to look as soon as the ball has been struck. Believe, me, this helps.

I am in continuous movement. The entire procedure, from setting my putter in front of the ball to aim to to hitting the ball, takes less than ten seconds.

The Right Way to Create a Golf Swing

[August 2019. the right way to create a golf swing is found at The Hands Lead the Clubhead – IV.]

There is a basic approach to the swing that many golfers take because it seems so obvious to do. And yet it is the wrong approach and is what prevents them from doing with the ball what they set out to achieve.

Percy Boomer, in his essential book, On Learning Golf, calls it Golf Bogey No. 1. It is “the natural urge to act in an obvious way to achieve the desired result.”

He takes a phrase from F. Matthias Alexander, who calls it end-gaining. This is thinking about what the desired result to the exclusion of the best way to attain that result.

How does this relate to the golf swing? It comes out as making movements which we feel will put the ball in the fairway off the tee, or on the green from the fairway. And they never work.

In golf, Boomer points out, the obvious way (to us) is seldom the right way. Very little of the golf swing is natural. The golf swing is a learned art, which must be trusted to deliver the desired result.

This is why you see so many weird-looking swings out there. People are trying to hit the ball with the club in a way they think will work and it does just often enough that they mistake luck with skill.

Golf is not about hitting the ball. It’s about making the right swing with a ball in the way.

You don’t play well by thinking about what you have to do to hit the ball in a certain direction or a certain distance. You play well by thinking about how to make the right swing. You must concentrate on the means, not on the end.

So when you are on the practice tee and not hitting the ball too well, do you say to yourself, “Maybe if I try this,” and two indifferent shots later you think, “How about trying this?”, getting yourself deeper and deeper into trouble because you’re trying to guide the club into the ball. That’s end-gaining.

Instead of being in control of where the ball goes, we must be in control of what our swing does. Then, when we sweep the club through the ball in the proper way, it will go where it is supposed to go.

What then is the proper way to swing the club? It’s most likely what your pro taught you in your last lesson (you do take lessons, don’t you?). Learning my Six Fundamentals won’t hurt you, either.

Let me try to seal the argument this way. Do you remember the shots you made, and I know you’ve made them, that went long and high and straight and it was because your mind went blank for a moment and you just swung the club? You weren’t thinking about how to make the ball go to a certain place, it just went there?

That’s what I’m talking about. If you can take that momentary lapse in concentrating on the wrong thing, and make that your habit, and combine that with good technique, good golf will be yours.

My Annual Swing Rebuilding Project

Every year, when golf season is over, I work on my swing, starting over from the start. I go through my bag, from 9-iron to driver.

If you have seen some of my recent videos on YouTube, you know I have a little practice station in my back yard. I went out to my practice mat with my 9-iron, and hit just that club. Over and over. When I get 3 out of 5 shots just right consistently, and the other two aren’t bad, I’ll move up to the 8-iron. And then one club at a time when I’m ready for it.

I probably won’t be up to the driver before the rainy season hits. We’re having warm weather with clear skies, but in Oregon that won’t last too long this time of year.

I’m dedicating myself to building the Six Fundamentals into every swing. I review them all before I hit a ball. One thing I’ve added is to sweep the club through the ball, and not to hit at it. That is making a world of difference.

Aside: If you get the latest Golf Digest, with Beef Johnston on the cover, you’ll find an article inside by Bob Toski about swinging with your hands, and not with the big muscles that is so much in vogue nowdays. This is exactly what I said in SF. I advise you to get this article and read it carefully. A lot of what pros say about the risks of your hands being in charge of your golf is baloney.

But back to my program. If you want to be better ball striker, take the swing you have and work your way through your bag, one club at a time, demanding a quality hit with every ball before you move up. Really. This works.

The other part of getting my game back in order is hitting two to four-foot putts in my back room. I am getting REAL good at these. Sinking these putts is how you avoid three-putt greens or not getting up and down.

An Arnold Palmer Reminisce

Arnold Palmer’s passing is the biggest golf story of the year. There are articles today in every newspaper about who he was and what he meant to the game. I won’t go over any of that. This post is about my personal recollections.

A number of years ago I posted my story about the one time I met him, when I was eleven years old, getting his autograph. That was the start.

The Golden Age of Sport was whenever you were between the ages of about nine and fourteen. You’re old enough to know what’s going on, and young enough to still have heroes. That’s exactly where I was during Palmer’s rise, and he was my hero. I reveled in his victories. When he lost the 1966 U.S. Open I was despondent for days.

All my friends I golfed with liked him best. Really — who else was there to have as a favorite compared to the likes of Arnold Palmer?

Yes, he was charismatic. Yes, he was telegenic. But he was more than that. We learned (eventually) to admire Jack Nicklaus. We respected Gary Player. But Arnie was one of us. He never hid himself from us. The more attention he got from his fans, the more he thrived. The phenomenon of Arnie’s Army has never been duplicated — no other golfer has ever commanded than kind of attention. For a while there was Jack’s Pack, but it never got off the ground like the Army did.

In an time when most Tour pros had an idiosynchratic, home-grown golf swing that was recognizable two fairways away, Palmer’s was the the most recognizable and the most exciting. He didn’t swing at the ball, he attacked it, forcing it go where he wanted. Though a long hitter, he wasn’t that long, but he was very straight. The shots he took that looked like gambles generally weren’t. He knew he could pull it off and he did.

In the really 1960s Palmer won many times each year. It was said once that your tournament wasn’t a real success unless Arnie won it. How he won was exciting, too. It seems no other golfer could withstand his onslaught once he put his mind to winning.

But if that’s all there had been, he wouldn’t have been The King. It was his touch with people. A nicer man never walked the Earth. His warmth and charisma touched people on a personal level. His fondness for people was genuine. Given his status, he could have been anything he wanted, but in the end he never retreated from treating everyone he met with courtesy and respect, as if it were his honor to have met you.

We’ve had lots of good golfers over the years. But there has been only one Arnold Palmer. Long live The King.

Little Differences That Make a Big Difference in How Well You Play