Category Archives: grip

What Your Grip Should Feel Like

In last week’s post, I wrote, “It is one thing for your grip to be identical for every shot. That takes lot of practice, and is a good subject for another post.”

I use the phrase, “a good subject for another post” without following through more often than I should, but this week I’m following through.

My topic is what your hands are supposed to feel like as you take your grip — again, something you read very little about in discussions of the grip.

Most of what is written describes what the grip is supposed to look like. What it feels like is just as important in having your grip be identical every time you pick up a club. Your grip can look right, but still be off. It has to feel right, too.

Let’s begin without a club in our hand. We’ll take an air grip, so the feel of the club in our hands does not distract us from the main points of how the hands should feel when they come together.

The key feeling of the hands working as one lies where the side of the left thumb rests in the pocket of the right palm. It is not enough for the left thumb just to be placed there.

There needs to be a feeling that the thumb is locked into that place, and there is only one placement that will give you that feeling. A shift of even a quarter-inch either way, by sliding the thumb in the pocket, is enough to destroy that connection.

I have written that there needs to be a slight bit of pressure in this spot so the hands stay together, but that is not what I’m talking about now.

I mean a feeling that the left thumb and right palm touch each other, fitting so neatly together, that you feel as if someone who tried to pull your hands apart couldn’t do it.

The second feel is of the right little finger interacting with the back of the left forefinger and middle finger.

There are lots of places this little finger can go. Wherever that is for you, it needs to have the same feeling as the left thumb does — it’s comfortably in place, but fitting in with the other hand, in this case, the left, in an inseparable way.

Those two fingers, the left thumb and the right little finger, are what lock the hands together — not because they are fixed in place by pressure, but because they are in the right place.

Now we can pick up a club and work with the fingers that actually hold it. They are the last three fingers of the left hand and the first three fingers of the right hand.

The feeling in the last three fingers of the left hand is that they, and no others, are holding the club. That doesn’t mean to squeeze those fingers, just hold on with them.

The feeling in the first three fingers of the right hand is of stability. They support the action of the last three fingers of the left hand, but do not take over their function.

The segment of the right forefinger closest to the palm presses gently against the handle of the club. That pressing action keeps the right hand rotated inward a bit, in support of the left thumb resting against the right palm, to keep the hands from coming apart.

In all, none of these feelings should be pronounced. There should be firmness, but light firmness and not heavy or tense firmness.

Finally, regarding grip pressure, you know how Sam Snead said you should hold the club as if it were a little bird? Sam Snead had large hands and very strong hands. You might not be able to get away with holding a club that lightly.

If you feel the handle pressing against, but not compressing, the soft pads of your palm and the underside of your fingers, that is about right.

The Way You Take Your Grip

The tagline for my advice on how to help you play better golf is, “Little Things That Make A Big Difference.” Today’s post is about a thing so tiny you can hardly see it, and which I have never read or heard about before.

It’s about the way in which you place your hands on the handle, no matter what kind of grip you have or what it looks like.

Go get a golf club and I’ll show you exactly what I mean. A 5-iron will do nicely. I’ll wait.

[wait]    [wait]    [wait]

Got one? Good. Now. Hold the club out in front of you, in your right hand, so the shaft is inclined a bit above parallel to the ground. Turn the club until the leading edge of the clubhead is exactly vertical.

While watching the leading edge, don’t take your eyes off it, put your left hand on the handle in its grip position. The bottom line of the clubhead must not get disturbed as you’re doing this. If it got turned slightly to the right or left, the clubface is now out of alignment and, guess what, the ball won’t go where you want it to go.

We’re not finished. Assuming you passed the left hand test, now add your right hand to complete your grip. Do not take your eyes off the leading edge as you do this. If the leading edge turned, even just a bit, you blew it. You haven’t even put the club on the ground and taken your stance, and the shot has been ruined.

Cary Middlecoff said in his book, The Golf Swing,

“… it is quite easy to vary the grip slightly without being aware of it, and just a slight variance can make a vast difference in how the shot comes off.”

And again,

“So many golfers do not relate their bad shots to a basically bad grip, or to slight but relevant changes in their grip from one shot to the next.”

It is one thing for your grip to be identical for every shot. That takes lot of practice, and is a good subject for another post.

But the way you place your grip on the handle is part of it. Doing that haphazardly can make a grip that is perfect in every way ineffective because you did not relate the grip to the clubface when you placed your hands on the handle.

The clubface acts as a surrogate for your hands. They must be coordinated from the very start. Practice this deliberately, and when you play, be that much deliberate when you take your grip. It’s a little thing that makes a big difference.

Pronation In the Golf Swing – Supination, Too

[August 2019. I don’t follow this advice anymore. Neither should you. To avoid flipping, see The Hands Lead the Clubhead- IV.]

Ben Hogan, in his book, Five Lessons, talked about supinating the left hand at impact.   This is seen when the left wrist is bowed out, and not arched inward.   

A supinated left wrist keeps the club accelerating, keeps the clubface traveling directly at the ball, and ensures a clean hit.   All the good things that can happen at impact are encouraged.

The trouble is, this is fairly difficult for amateurs to learn how to do.   What is simpler is to concentrate on a feeling that gets the job done without you being concerned with pronating or supinating.

It’s all in how you take your grip.   

The base of your left thumb fits into a pocket formed by the pads at the bottom of the right hand when that hand folds over the left.   The trick is to press your hands together at this spot, very lightly, but by enough to keep them from separating during the swing.

This is done by taking your grip and then and turning your hands about just a bit toward each other.   If you do, you will feel increased pressure of the base of the left thumb against the pocket of your right hand.

Don’t push your hands together too hard.   There should be no tension radiating into your forearms.   Sitting firmly next to each other might be a better image for what your hands are doing than pressing together.

When you don’t have solid contact here, your hands can separate and start acting independently.   This has the immediate effect of turning the club, which moves the clubhead out of square.   

It also encourages you to hit with your right hand, which leads directly to flipping the club through impact, a well-known cardinal sin of the golf swing.

Now you can still flip, but you have to do it with both hands at the same time, and that’s pretty tough to do.   If, however, your hands are leading the clubhead through impact, like I tell you gals and guys over and over and over, you can’t flip.   You just can’t do it.

So try this out.   At first you will likely push your hands together too much, and you will feel all locked up when you swing.   Ease off until you find the pressure at which your hands stay firmly together, yet you are still able to swing the club freely.   

There is an ancient exercise that teaches this same point.   Get a long blade of grass and put it between your left thumb and the right hand pocket.   You should be able to swing the club without the grass falling out.

Be aware that this post is not about grip pressure.   That refers to how firmly your fingers hold the handle when you wrap them around it, and that’s another post.

Two Pre-Swing Fundamentals

There are two pre-swing fundamentals I have been emphasizing lately to great effect. Let me share them with you.

One is to hold the club lightly at address. Hold the club with the same pressure as you would apply when shaking the hand of a young child. Keep that same pressure as you take the club away. This keeps your body relaxed so clubhead speed can build up freely.

The second one is more of a mental aspect of the setup than a physical one.

I get into a posture in which I feel relaxed and neutral, that is, not posed, or poised, in any way.

Nothing is out of balance. I’m not reaching for the ball. I’m in a relaxed yet athletic posture that can move without a hitch into the flow of the golf swing.

You will notice that both of theses points have to do with relaxation. The more relaxed you are at the start of the swing, and can maintain that relaxation throughout the swing, the better you will hit the ball. Promise.

A golf grip fundamental

“That’s everything,” Sam Snead said, when Jim McLean asked him, “How important do you feel the grip is in the golf swing?” So many problems are caused by a bad grip, and so many are solved by a good one.

Here is one aspect of a good grip that you don’t read about too much, but is nonetheless a vital feature.

In Ben Hogan’s Five Lessons, he said the the V in the left hand should point to the right eye, and the V in the right hand should point to the chin. That’s a pretty weak grip, which most recreational golfers could not use successfully.

What this alignment does, however, is get your hands working together as a unit, something your grip does not likely do for you now.

Try this: Put a tee between the thumb and forefinger of your left hand, all the way up in the V. Put another one in the same place of your right hand. Now take your grip.

The tees should be lined up and pointing in the same direction, as in the pictures below.

If they point off to different places, the means your hands are not lined up, and thus not working together. Everything good in your swing is working under a great handicap. Controlling the ball could be a problem.

The good news is that it is not necessary for the Vs to be pointing in the exact direction that the Hogan grip describes. You might want to rotate both hands to the right, but in doing so, making sure the tees end up pointing in the same direction.

There is, on the other hand, Sam Snead’s method. He tells you to have both Vs pointing to the right shoulder. That’s a stronger grip, good for most recreational golfers, but it gets the hands out of alignment. The tees will be pointing in different directions.

It worked for Snead, and it might work for you. But if it doesn’t, the Hogan method is something you can try.

It could be the only adjustment you need to make to bring every shot around to the center. That’s what it did for me.

Visit www.therecreationalgolfer.com

Two Grip Tips

(Actually, only one.)

The grip is the first fundamental of golf. Get a good grip and building a good swing is much easier.

A vital grip fundamental that you never hear about is to hold the club at its balance point.

If you put your hands on the club about an inch from the top of the handle, you will find a place where the clubhead feels like it is an extension of your right hand.

Above this point the hole club feels whippy. Below this point, the club feels stiff and unresponsive. In neither case do you feel connected to the clubhead.

Be sensitive in finding this balance point. Sometimes moving your hands just a quarter of an inch up or down the shaft makes the difference. By holding the club at its balance point, it will feel like a tool in your hands ready to do your bidding.

Lighten Up on the Golf Club

I just got back from a day at the range. It’s been raining hard here for the last few days, so the putting green was closed. The only thing to do then was to hit balls off the practice tees. Sometimes I just go through the motions on the tees because I like the practice green better. Tees, beets. Green, chocolate pudding. Since the option of the green was taken away today, I focused a lot better than usual on my full swing. Here’s what I took home with me.

Lighten up your grip pressure. You hear this all the time. Don’t squeeze the handle. Relax your hands. Yet you don’t. Why? Because it doesn’t make sense that a grip that light can hang onto and control the club during such a violent act (more on that in a bit) as the golf swing. Well, it can.

Try this. Pick up the club and hold it so it sticks straight out in front of you. Relax your grip to where the club starts to fall out of your hands. Now tighten up your grip pressure again just to the point where that does not happen. That is how much pressure you should have on the club when you hold it. Any more pressure in your hands will start locking up muscles throughout your body, preventing them from moving freely to build up the clubhead speed that you want.

Then there’s that slash at the ball you call your swing that makes the ball go everywhere but straight and long. There might be nothing wrong with your swing, it’s just that you’re overdoing it.

Here’s another thing to try. Swing at your normal speed, but feel like you’re swinging in slow motion. Imagine that you’re watching yourself swing, from inside your head, and you want to go slow enough so you can see everything. That will feel slow, but it won’t be slow. The result will be a swing with all the clubhead speed you need.

Lighten up your grip pressure, lighten up your swing. Especially with your driver, but that’s another post. Do those two things and see what a difference it makes. A good difference. And in the meantime,

Visit www.therecreationalgolfer.com

Five Tune-Up Tips For Your Golf Swing

These five tips are little differences that will make a big difference literally overnight in the way you swing a golf club. One hour of practice is all you need to install them in your swing. They will give you a feeling of confidence, control, and ease, three characteristics of good golf.

There is a natural balance point for every club. This is where you hold the club and it feels light, and as if it were an extension of your hands and arms. For most clubs this will be felt when you grip down about 1″-1½” from the end of the grip. When you hold the club at this point, you will feel relaxed and at ease. Swing the club the way this feeling suggests.

Take your stance slightly open to the intended line of flight. Just a little bit. No more than 5 degrees. Being slightly open will let you get your left hip cleared better, and allow you to come into the ball with the right side a little more “underneath” the ball. The first gets the club down the target line more easily, and the second gets the ball in the air more easily.

Swing the club easily. There is no need to rush going back, and certainly no rush going down. If anything, swing more slowly than you think you need to. Make it almost like an easy practice swing. The speed that such a swing will build up is greater than you feel. Combined with the design of the club, you will hit the ball a long way. If your ball-striking gets off during a round, check the speed of your swing first. Odds are that you are swinging too fast, especially at the start of the downswing.

You might have heard the phrase, “finish your backswing.” What does that mean? For every club you swing, from driver to wedge, and even when pitching, it means to finish turning your body before you start your downswing. Get the left shoulder as close to your chin as you can, and your right shoulder turned away as far as you can, without straining. It is not necessary that your arms go to a particular place, but that your turn be full. When our mind begins to wander on the course, this turns gets shorter, and our ball-striking worsens.

One difference between the professional swing and the amateur swing is that professionals do not allow the clubhead to pass their hands until after the ball has been struck. That means when the clubhead is impacting the ball, the shaft is tilted toward the target, not vertical, or worse, tilting away from the target. You ensure this happens by maintaining the wrist set you have at the top of the backswing until your hands get back down to hip height. At that point, the momentum of your swing will release the set, but continue swinging and let the hands win the race with the clubhead to get to and past the ball.