Hit Hard With Your Right Hand

We all know about the three right hands Ben Hogan wished he had. If you don’t, read this post first.

There is nothing wrong with hitting the ball hard with your hands if you can do it correctly. If you know how, then why not?

So I’m going to tell you how.

Lead the club from the end of the backswing into the forward swing with your left arm—the upper arm, to be precise. Keep the left forearm out of it.

Do not rush the forward swing. Start down like you are going to lop heads off daisies.

As you near impact, make sure your hands are coming into the ball ahead of the clubhead. If they are not, what comes next will be your worst enemy, not your best friend.

There is a certain moment when the hands feel like they have passed the ball and that it is too late, you missed that chance, to apply any kind of hit. Actually, that is the moment when you can pour it on with the right hand.

I know that sounds odd, but it’s true. If you hit with the right hand while you have the feeling that your hands are still approaching the ball, that is way too early and the result will be disastrous.

So don’t get excited. Wait until the time is right.

Do not rush the forward swing. That works against this move. What you want is to make your normal swing and add speed with your right hand only at the right time.

Finally, the point is for the right hand to launch into the ball and hit hard, but not so much that it overpowers the left hand. This is what Hogan was teaching you how to prevent.

That is why you have to wait until the last instant to pull off this move, because by then it is too late for the right hand to do damage to what the clubhead is about to do.

There is no body acceleration, no arm acceleration, just your same ordinary smooth swing with a little right hand thrown in right before you hit the ball. Once you find the right timing it will all seem so easy.

When you start learning this move, be concerned only with making contact on the center of the clubface. Don’t be concerned about where the ball goes. Straight will come in time.

How do you know if you hit the ball on the center? By feel. You hit the ball so hard and it feels so soft. There is barely a feeling of anything in your hands. Oh, does that feel good. I know you know the feeling.

There is a different sound, too. Love that sound.

This move works best with the longer clubs. You might be able to take it down to the 5-iron, but shorter than that it doesn’t really add anything.

Practice it A LOT before you try it on the course. A great way to practice it to swing with no ball and literally apply the hit after it feels the club had has passed impact. Actually do it too late. If you do the same thing when the time comes to hit a ball, you will probably have it just right.

What’s In My Bag—April 2019

I love to play around with my set of clubs. Every time I make a change I think I have really got it this time.

Here’s the set I’m playing with now:

Driver (11.5 degrees)
Fairway wood (16.5 degrees)
Fairway wood (20.5 degrees)
24-degree hybrid
27-degree hybrid
6-iron
7-iron
8-iron
9-iron
PW
GW
SW
LW
Putter

The clubs from the 16.5 fairway wood to the lob wedge have fairly consistent gaps in loft.

I’ve really got it this time.

Today’s Round – Learning From Mistakes

Actually yesterday’s. I spent the day thinking about it. I played nine holes, and was two over par for six of them, and seven over, two doubles and a triple, for the other three. That will make you think.

Now there is no “if only” in sports. I shot what I shot. But looking over those three high scores, the pattern was that I lost four strokes because of bad decisions. The problem is that I have forgotten how to play golf.

Playing golf is not about hitting good shots. I can do that. Golf is about hitting as few of them as possible, and that’s a different skill.

So let me go over my errors with you so you can see if that will help you start thinking about how to shoot a lower score with the same skills.

The 5th hole is 505 yards long. A drive and a hybrid put me right in front of a wide-open green, between an eight and nine-iron. I chose the eight because I always want to have enough club in my hand. So far, so good. But I forgot what you do when you choose the longer club: grip down and swing fully. Gripping down takes about five yards off the shot. Instead I tried swinging a little easier, which makes bad things happen, and sure enough, I chunked it.

The ball was close enough to the green that par was still in play if I could chip on and sink the putt. But I forgot the Maxim of the Short Game: just get the ball on the green so you can start putting. I got too cute with the chip by going for the pin instead of the green and chunked it. One chip and two putts later, I’m in the hole with a DB.

The very next hole, a long par 4 into the wind, was a bogey hole that day. A drive and a seven-iron later I’m close to the green. Simple pitch, two putts, maybe one, and I’m happy. But I forgot to check the distance to the pin. Because of the wind I chose a stronger club to pitch with, but the pin was too close even for that, and I flew the green with my pitch. It took me three shots to get down chipping to a green sloping away from me. DB.

Three holes later, the ninth, I hit my drive into the right rough. I had been pushing my driver all day, but getting away with it. The ground rises dramatically to the green, and given my lie I didn’t want to try for the green, come up short, and end up with the ball on a severe upslope. So I played short, leaving the ball on a moderate upslope, which was all I could do.

This time I checked the distance to the pin, but didn’t evaluate the situation correctly. When you pitch off an uphill lie, the slope adds loft to the club. You have to club down to hit the ball the same distance. But I started my calculation with the club I should have ended up with, and once again had too much club in my hand. The pitch flew the green into a bad place and it took me four to get down from there. TB.

Three bad decisions cost me four strokes. I ended up with a 45 that could have been a 41 without playing any better, but just by thinking more clearly.

That’s how this game goes. This is clear evidence of what I call the Floyd Rule, which I take from Raymond Floyd’s book, The Elements of Scoring, and that is, “If I were given your physical game, and we had a match, I would beat you 99 times out 100 times because I know how to play the game better than you do.”

Let me give you one more example from that day’s round, by one of my playing partners. On the eighth hole, we both put our tee shots in the right rough (I ended up with a par). His ball was right behind a small tree trunk with about four inches to spare. He had the easiest shot in the world to chip 90 degrees back into the fairway so he could hit on.

What did he do? He gripped down and tried to hit the ball in the direction of the green, or as nearly as he could. With a swing featuring a four-inch follow-through, he bladed the ball about 15 feet and deeper into the rough. Oh, well…

So my question to you is, do you think about your mistakes? Write them down? Learn from them, so next time you know what to do? Not just think, “Why did I do that,” but know now what you should have done, and next time apply the correction?

I truly believe that if you concentrated only on playing the game better you could reduce your average score by over five percent. That doesn’t sound like a lot, but do the math.

Hint: most mistakes come from getting greedy. We won’t concede one lost stroke and end up taken two or three more instead.

My Chipping Stroke

In the summer of 2012, following two back surgeries earlier that year, all I could do was chip and putt. So I decided to start over with that and learn how to do them both the right way, not the way I had fallen into on my own.

I had a chipping lesson that June. I told the pro, pretend I’ve never hit a chip shot before and tell me how to do it from the ground up. That’s exactly what he did.

Whenever I have a golf lesson, I take notes afterward. I wrote down the points he made on chipping, practiced them a lot, because, remember that’s all I could do at the time, and I became a very good chipper.

I looked through the blog and found out that I had never posted the points he taught me. They don’t really substitute for a lesson, but here they are anyway. I hope you can make something of them. There are six.

1. Setup: The ball is in the center of your stance, weight is slightly left, the clubshaft leans slightly left. Light grip pressure, grip down to the metal for control.

2. The wrists break back slightly when the club goes back. Do not overdo this.

3. The shaft and the right knee feel like they are moving forward together.

4. The right knee continues breaking through the shot. The right heel comes off the ground.

5. The hips turn. There is no slide. The left hip moves straight back, not around.

6. The wrists are straight again at impact and do not break further (the right hand does not pass the left). The clubface ends up facing the sky.

As I have said earlier, think of sliding the sole of the club underneath the ball, not so much on hitting down on the ball. There is a bit of that, but do not emphasize it.

If you perfect this stroke, and calibrate a number of chipping clubs, getting up and down from greenside will become your expectation.

Wristy Putting

Lately I’ve been trying a little putting stroke for short putts—under six feet. It’s a short, wristy stroke.

I figure the reason we miss short putts is that the putter wobbles at some point going back and forth before it gets to the ball. By then, the face is no longer aimed at the hole, and the ball slides by.

The key, then, is to keep the face square to the starting line at all cost.

So I started by taking the arms and shoulders out of the stroke. They can wander. Then I took the hands out of the stroke. They can twist and turn.

All that is left are my wrists. Just a slight bit of horizontal hinging is all I need to get the ball going. The putter goes back maybe thee inches and about that on the follow-through.

Since the only things moving are your wrists, and they can only hinge around a fixed axis (law of anatomy) there really isn’t much that can go wrong.

And with such a short stroke, the face stays square without having to deliberately hood the face going back, then undo that coming through.

If you have read the putt correctly and aimed the face square to the starting line, the ball will go in.

Now here’s the important part. This is not a pop stroke. It’s not a jab. It’s a relaxed stroke that takes the head back gently and brings it through gently, but with a little “hit” on the ball. Just a little. These are short putts, so you don’ t need much hit at all.

If you find yourself popping the ball anyway, hold the club very lightly. It’s hard to be poppy with such a light grip.

Try this on your carpet at home. Remember, wrists only, gentle back, gentle through, with a tiny bit of hit.

The Pitching Swing

A little while ago, I was watching Johnny Miller’s tape, Secrets of Success. One of the segments is on how to hit short irons.

Miller says to break your wrists early on the backswing, earlier than with longer clubs.

I thought I would try this backswing with pitching clubs. You break the wrists almost as soon as the club starts back, and let the break release naturally as the club comes into the ball.

I get clean contact, nice ball flight, and a dead straight shot. Over and over.

This stroke is much better than trying to adapt a full swing backstroke to pitching.

This video shows the difference at 0:30.

Try it.