A Small Golf Reference Library

If you’re a regular reader of this blog, you’re a golf reader.   (Not everybody is.)   You might have more than a few golf books at home, too.   Nothing wrong with that.   I have several score.

These are the ones I have found to be most useful in teaching technique, diagnosing problems, and just plain having fun with golf.

On Learning Golf, by Percy Boomer, 1946. The original book on how to be a feel player.   This book still has influence.

Advanced Golf, by Vivien Saunders, 1995. Saunders goes into detail on points that barely get mentioned in popular instruction books.   Once you get the hang of the basic swing, this is how you elevate it.

Golf Doctor, by John Jacobs (also published as Curing Faults for Weekend Golfers), 1979. Jacobs describes twenty-five errant shot patterns, explains why they happen, and tells what to do about them, in detail that no other book even approaches.   Whatever is going wrong, it’s in here.

The Elements of Scoring, by Raymond Floyd, 1998. This is absolutely the best book there is on both the mental game and the art of getting the ball in the hole.

The Complete Golfer, Herbert Warren Wind, ed., 1954. Great fun.   Fiction, humor, memoirs, history, instruction, and fold-out maps of great courses.   This book is for people who realize there was golf before Tiger Woods, or even Palmer, Player, and Nicklaus, or want want to find out about it.

A few others:
The Golf Swing, by Cary Middlecoff, 1974.
Play Golf the Wright Way, by Mickey Wright, 1990.
The Short Way to Lower Scoring, by Paul Runyan, 1979.
A Golfer’s Education, by Darren Kilfara, 2001.

How to Practice Your Swing

Golf swing practice should be, at its core, learning how to repeat your swing, and learning it so thoroughly that when you play you never have to think about what your swing is doing, but rather where the ball is going to go.

You don’t learn how to do that by swinging over and over. You learn by breaking down your swing and building it back up, one part at a time. And repeating that endlessly.

Let me go to music to demonstrate what I’m saying.

When you learn a new piece, you first memorize it in little bits, a few measures at a time. You would start with the most difficult parts, because they need the most work.

After all of the piece has been memorized, you learn how to play the little bits smoothly, and how to connect them. It’s a slow building-up process that leads to playing the piece all the way through.

When the entire piece has been learned, you practice it, not by playing it all the way through over and over, even though you can, but by playing and connecting those little bits, just like you did when you were learning it.

You build up larger and larger compilations of the little bits until you are playing the entire piece. You’re always working on the details, so none of them get forgotten.

That is how you practice your golf swing. You should know what the little bits are that make you swing work. Practice each one, in isolation, to drill them into your unconscious mind.

Then build up your swing, one bit at a time, until you are swinging from start to finish, hitting all the bits you were practicing.

Then go do all that again.

How many times have you hit a bad shot and thought when it was over, “Oh, no. I forgot to do X.”

You most likely forgot to do X because you don’t practice X. You make only full swings and hope that part gets right somehow. But it never will get right until you practice that part alone. And all the other parts as well, each one by itself.

At the range, build up your swing, bit by bit, before every ball gets hit. After you hit that ball, repeat the building-up process again from the very start.

This method seems slow because you will make fewer full swings. It actually accelerates learning. Not to mention, the full swings you do make will be linked up and just like you want them to be.

A Few Random Golf Notes

No essay today. Just a few odds and ends that have come to mind lately.

1. That the forward swing begins with the movement of the left hip is beyond doubt, but what that movement is, exactly, is a matter of confusion. There is a slide and a turn. But which one comes first and how much of a movement is each one? Let’s make the matter simpler.

Think of the first move forward as pushing your left hip straight back behind you. Now it cannot exactly go straight backward. To go back it has to turn somewhat and there will be a bit of a slide, too. Also, your weight will get off the right side early, like it should.

By thinking about it this way, whether the slide or the turn happens first is no longer an issue. They will both happen at the right time and that’s all you need to worry about.

If you try this, make sure the hip goes backward in rhythm. Don’t snap it back quickly.

2. A few years ago, the Play It Forward campaign was big. Play from the right set of tees and you will shoot lower scores and have more fun. There’s another reason why playing it forward pays off. It makes you a better golfer over time.

Because the course is shorter you will be hitting more shots that are within your ability to hit. This means you will learn how to score. Instead of always playing catch-up, you will always be on offense. You will learn how to dictate to the course instead of the course dictating to you.

You might want to play for a while from tees that are too short, then back up with your new mindset.

3. A few years ago I talked to you about the clubs I used to chip with. It was a set that went from lob wedge through 8-iron. The chipping stroke I used was somewhat of a downward blow with a little bit of punch to it.

Recently I have changed my chipping stroke to one that is more of a level brushing stroke. It gradually became clear that the clubs I calibrated earlier did not work well with the new stroke.

Since the blow with a brush is not as sharp, the ball does not leap off the clubface as it does with the downward stroke. All I had to do to recalibrate my chipping set was to move up by two clubs.

For example, where I had been using a lob wedge I now use a gap wedge to chip to a certain distance, or instead of a pitching wedge I use an 8-iron to send the ball an equivalent distance.

4. Remember that we play golf in order to have fun with friends. Of course we want to get better, but improvement occurs gradually. Having fun happens anytime we want to. First things first.